Indonesian Visual Art Archive

Gambar

Hendra, his first wife Karmini and their youngest son Jingga in 1976, during one of the family\'s many visits to Hendra in Kebon Waru prison.
Pelukis Rakyat members. From left: Trubus, unknown, Sudarso, Hendra, Suromo, Rusli.
Pelukis Rakyat members. From left: Trubus, unknown, Sudarso, Hendra, unknown, Rusli.
Foto: Dokumentasi Aktivitas Hendra Gunawan
Foto: Dokumentasi Aktivitas Hendra Gunawan
Hendra (right) in deep discussion with fellow artist Lee Man Fong (1913-88)
Foto: Dokumentasi Aktivitas Hendra Gunawan
Ir. Silaban (left) and Hendra (right) at the prize giving ceremony for the design of the National Monument, held at the Istana Negara, Jakarta. Hendra\'s design took second place. No first prize was awarded.
Ir. Silaban (left) and Hendra (right) at the prize giving ceremony for the design of the National Monument, held at the Istana Negara, Jakarta. Hendra\'s design took second place. No first prize was awarded.
Foto: Dokumentasi Aktivitas Hendra Gunawan
Foto: Dokumentasi Aktivitas Hendra Gunawan
Hendra while on a visit to Moscow in 1954.
Hendra while on a visit to Moscow in 1954.
Hendra at a question and answer session during his solo exhibition at Taman Ismail Marzuki, Jakarta, 1979.
Foto: Dokumentasi Aktivitas Hendra Gunawan
Foto: Dokumentasi Aktivitas Hendra Gunawan
Hendra and his son Dadang, Bali, 1982.
Foto: Dokumentasi Aktivitas Hendra Gunawan
Art critic Agus Dermawan T. with Ir Ciputra and the Menyusui II (Nursing II) sculpture in Jakarta.
Hendra painting Panen Padi II (Harvesting Rice II) in Bali, 1982
Hendra and Affandi discuss the making of a film about Affandi at Hendra\'s home in Bali, 1982. Pasar Babi (Hog Market), Topeng Cirebon (Cirebon Mask) and Panen Padi II (Rice Harvesting II) can be seen in the background.
Hendra, Pelukis Rakyat was the most active art organization in Indonesia. In 1964, the Chinese Ambassador to Indonesia paid a visit to the studio in Sentul, Yogyakarta.
Hendra, captured in pensive mood in his studio in Bali. Keluarga Bahagia (Happy Family) can be seen in the background.
Foto: Dokumentasi Aktivitas Hendra Gunawan
Foto: Dokumentasi Aktivitas Hendra Gunawan
Nuraini, Hendra\'s second wife, poses in front of an unfinished painting of Antri Mandi (Women at the Waterfall).
Hendra\'s speaking abilities were widely acclaimed.
Foto: Dokumentasi Aktivitas Hendra Gunawan
Foto: Dokumentasi Aktivitas Hendra Gunawan

Hendra, his first wife Karmini and their youngest son Jingga in 1976, during one of the family\'s many visits to Hendra in Kebon Waru prison.
Pelukis Rakyat members. From left: Trubus, unknown, Sudarso, Hendra, Suromo, Rusli.
Pelukis Rakyat members. From left: Trubus, unknown, Sudarso, Hendra, unknown, Rusli.
Foto: Dokumentasi Aktivitas Hendra Gunawan
Foto: Dokumentasi Aktivitas Hendra Gunawan
Hendra (right) in deep discussion with fellow artist Lee Man Fong (1913-88)
Foto: Dokumentasi Aktivitas Hendra Gunawan
Ir. Silaban (left) and Hendra (right) at the prize giving ceremony for the design of the National Monument, held at the Istana Negara, Jakarta. Hendra\'s design took second place. No first prize was awarded.
Ir. Silaban (left) and Hendra (right) at the prize giving ceremony for the design of the National Monument, held at the Istana Negara, Jakarta. Hendra\'s design took second place. No first prize was awarded.
Foto: Dokumentasi Aktivitas Hendra Gunawan
Foto: Dokumentasi Aktivitas Hendra Gunawan
Hendra while on a visit to Moscow in 1954.
Hendra while on a visit to Moscow in 1954.
Hendra at a question and answer session during his solo exhibition at Taman Ismail Marzuki, Jakarta, 1979.
Foto: Dokumentasi Aktivitas Hendra Gunawan
Foto: Dokumentasi Aktivitas Hendra Gunawan
Hendra and his son Dadang, Bali, 1982.
Foto: Dokumentasi Aktivitas Hendra Gunawan
Art critic Agus Dermawan T. with Ir Ciputra and the Menyusui II (Nursing II) sculpture in Jakarta.
Hendra painting Panen Padi II (Harvesting Rice II) in Bali, 1982
Hendra and Affandi discuss the making of a film about Affandi at Hendra\'s home in Bali, 1982. Pasar Babi (Hog Market), Topeng Cirebon (Cirebon Mask) and Panen Padi II (Rice Harvesting II) can be seen in the background.
Hendra, Pelukis Rakyat was the most active art organization in Indonesia. In 1964, the Chinese Ambassador to Indonesia paid a visit to the studio in Sentul, Yogyakarta.
Hendra, captured in pensive mood in his studio in Bali. Keluarga Bahagia (Happy Family) can be seen in the background.
Foto: Dokumentasi Aktivitas Hendra Gunawan
Foto: Dokumentasi Aktivitas Hendra Gunawan
Nuraini, Hendra\'s second wife, poses in front of an unfinished painting of Antri Mandi (Women at the Waterfall).
Hendra\'s speaking abilities were widely acclaimed.
Foto: Dokumentasi Aktivitas Hendra Gunawan
Foto: Dokumentasi Aktivitas Hendra Gunawan

Tanggal Publikasi	:	1940 - 1983
Deskripsi	:	Gambar dicuplik dari buku "Hendra Gunawan, A Great Modern Indonesian Painter," Agus Dermawan T dan Dr. Astri Wright, Ir. Ciputra Foundation, Jakarta, 2001, dan disumbangkan oleh Mikke Susanto.
Pelaku Seni Terkait	:	Hendra Gunawan
Karya Seni Terkait	:
Peristiwa Terkait	:

Indonesian Visual Art Archive
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Foto: Dokumentasi Aktivitas Hendra Gunawan

Gambar