Totor is a kind popular low end gambling accross South East Asia. The player have to buy several series of number put in a coupun, some people usually looking for some clue or "sight" by buying what we called here prophecy paper. That paper weirdly translates your dreams or even your nightmares into some series of numbers. The prophecy paper is also containing symbols for gamblers to interpret. For this exhibition we try to re-design that prophecy paper into our own version.

9 Digital paintings about how to please the people, based on the Book of Kama Sutra. These artworks are adressed to the candidates of Indonesia Presidents at that time. Basically it speaks about how to treat us (the Indonesian people, resembled by the female character) as the Government's (pictured here as the male character with traditional Javanese King Crown) lovers... not slaves !

Karya ini pernah dipamerkan dalam Pameran "Massive Territory" di Galeri Nasional, Jakarta.

As Javanese, we love Javanese culture very much for sure. As the proud members of global youth culture we also contemporary urban culture as well. So ? Why don't we mix that ? Here's the result : a 3 dimensional grafitti on Javanese character. It reads Uri-Uri. It means "to conservate" in Javanese Languange. To conservate what ? To conservate traditional Javanese Characters from the continous rapid invation of Latin alphabets.

Karya ini pernah dipamerkan di Via Via, Yogyakarta dan Via Via, Antwerpen, Belgium.

11 small sculptures. Each figure resembling one daily job or status of ordinary Indonesian middle and... lower class people. They are car parking attendant, dangdut (Indonesian answer to ... disco) singer, soap opera artist, video jockey, beggar, local ghost, a "fictional ghost" character who appears only during period of National Election campaign to intimidate and frighten people (hahaha...), elementary school student, a local 1977 London punk wannabe, and a soccer player. So, do they have one thing in common ? Yes. What is that ? tend to corrupt. We (the common people) always swearing the hell out to our Government every single day. Mostly because of how corrupted they are. But in other side, we also just like them. Corrupted people. The most simple example is that we, the ordinary Indonesian people are the worl famous for corupting time. Almost everybody here did that. That is the main background for this artworks. The message behind this work is simple : Before you blame, shouting at or swear to someoene else, please look at yourself first.

Karya ini pernah dipamerkan dalam Pameran "Neo Nation" di Jogja National Museum-Biennale Jogja.

Karya ini pernah dipamerkan dalam Pameran "Shadow of Prambanan" di Jogja Gallery, Yogyakarta.

Karya ini pernah dipamerkan dalam "Pameran Artvertising" di Galeri Nasional, Jakarta.

Karya ini pernah dipamerkan dalam "Pameran Artvertising" di Galeri Nasional, Jakarta.

Karya ini pernah dipamerkan dalam Pameran "Insert Character" di Kedai Kebun Forum, Yogyakarta.

10 Character resembling Indonesian Youth at the present day, as they travel through the deep jungle of globalization (eeuww...) to seek their "comfortable and secure given" indentities. The idea and the character are based on the character found on traditional Javanese Leather Puppets such as Anoman, Gareng, Petruk, Bagong, Limbuk, Cangik, King Rahwana, Monster Cakil, Monster Lembu Sura, and Denawa the Evil Giant.

Karya ini pernah dipamerkan dalam Pameran "Tear Off" di Miami International University of Art and Design, Miami FL.

Digital illustration for Latex for Fun Book based on traditional Java shadow puppet characters.

Karya ini pernah dipamerkan dalam Pameran "Hilight", Jogja National Museum, Yogyakarta.

Karya ini pernah dipamerkan dalam Pameran "Jawa Baru" di lobi Pantarei, Jakarta.

Karya ini pernah dipamerkan dalam Pameran "Artsima 15 : Not Only China, Please!" di Turino, Italia.

Karya ini pernah dipamerkan di Valentine Willie Fine Art, Singapore.

Karya ini pernah dipamerkan oleh Edwin's Gallery, Jakarta.

Sumber dari portofolio Indieguerillas 2002-2009.

Karya ini pernah dipamerkan di Gedung Tri Juang, Magelang.

Karya ini pernah dipamerkan di Srisasanti Gallery, Yogyakarta.